You never forget the first time…

I recently got the question: “When did you know? As in… when did you really know that you wanted to work in the wine world?”

The longest apartment I ever stayed in was in Montreal with my best friend Aurélie. At the time, we were young and crazy. We made a lot of noise and the neighbours regularly complained. We drank bad wine. Like the absolutely terrible kind you could buy at the corner store in a litre with a twist cap (for the record, I have nothing against twist caps). After we graduated university, we moved out because Aurélie was leaving to New York to pursue studies. I met someone who was passionate about food and loved to eat out and so I began to appreciate wine more and more. Later I worked in a restaurant that had an incredible wine program. They held regular tastings and I participated happily. My wine discovery was a calm and steady road…

Then, one day, everything changed.

Strangely, that night wasn’t such a big deal when it comes down to it: I had made a reservation at the then-recently opened les 3 petits bouchons that specialized in natural wine. I was having dinner with great friends and we were in the mood to have a good time. The waiter asked what we wanted to drink and not knowing much about natural wine, we asked him to pick something he liked.

So he brought us back a bottle of Chenin Blanc from Agnès and René Mosse.

I had never tasted Chenin.

This is what made me fall in love with wine. That bottle. That moment. That sip. The minerality.

That was it.

Something clicked in my mind. Maybe it was that I understood the impact of terroir, maybe I just loved the purity, maybe I thought it was the most delicious thing I’d ever tasted… Who knows? But it just made sense suddenly.

Now, looking back, it was certainly not the most expensive bottle or the most prestigious year I’d ever tasted. But in that moment, with that glass, I knew something would never be the same again. I really wish that upon everyone.

So… merci Agnès & René Mosse and les 3 petits bouchons.

There was a lady at Villa Favorita…

Drama hit Charles de Gaulle airport Saturday morning when Air France cancelled my Verona flight after making me wait 20 minutes to check-in only to tell me that finally, I was too late! No airline has ever had me jumping through so many hoops, had me pleading and tearing up and accusing and endearing and negotiating my way onto another (free) flight to land somewhere in Italy in the vicinity of the two tastings I had been planning for weeks.

Thankfully, it all worked out and upon landing in Venice at 25 degrees and sunny skies, I happily drove over to Villa Favorita where I made a very interesting discovery.

Here’s the gem: charmingly wilful Luigia Zucchi and her Azienda Agricola Rugrà. Her wines are pure and subtle, feminine and delicate with a recognizable Piedmont backbone that usually combines beautiful acidity and a strong fine-grained tannic finale. There is a crystalline minerality to them where the alcohol doesn’t dominate.

Luigia officially set up the Azienda in 1997 after years of bee keeping and winemaking on her 4 ha farm of which 2 ha are vines farmed organically.

The Gavi district, where her Nebbiolo, Merlot and Cortese vines thrive, is mostly renowned for its white wines but indigenous varieties that were thought to be long lost may still stand a chance.

In what seems to be a crusade to bring back a ghost from the dead, Luigia is set on rescuing one of these varieties she believes is highly qualitative: the Nibiö grape. Quite similar to its neighbor Nebbiolo in aromatics, the Nibiö variety has actually been DNA-matched to another Piedmont widespread variety, Dolcetto. This indigenous varietal is believed to be the equivalent of Dolcetto save for its red stems that brightly distinguish it in the vineyard. Nibiö has been grown in that region for more than a thousand years and was even mentioned in the annals of the Republic of Genoa. (ref)

In fact, there exists a consortium of winemakers named Terra del Nibiö, who are determined to save this variety  and it would appear they have succeeded.

Luigia makes only one white wine: her Cortese di Gavi reminded me of Stefano Bellotti’s “Bellotti Bianco”: simple, balanced and mineral.

It was however somewhat shadowed by the reds including a 100% Nebbiolo grown on the Monferrato Rosso DOC named “Scajeta” which offers an elegant and fine version of the usually austere youthful Nebbiolo. Her 2007 vintage was very warm and is quite generous in fruit and utterly mouth-watering.

Because Luigia values drinkability, she has planted Merlot and, since 2009, is making a “no added sulphites” cuvée named “Prunorosso” that evokes an Italian version of “Le vin des copains” or a “Vin de soif”.

My favourite was by far the Monferrato Rosso “Picula Rusa” 2007 which is the wine made from 100% Nibiö’d’Tasarö as it is dubbed locally. The smoothness, the supple tannins, juicy and fruity and dense at once, had me travelling between Sicily, Rhône and Burgundy with a brief pop-in in Barbera di Monferrato.

On top of making great quality/price wines, the passion, the open-mindedness and the versatility of this woman completely inspired me.

Plan on seeing these wines in Paris soon!

Help, I’m alive

After lunch at Pierre Jancou‘s deliciously alive Vivant, I couldn’t help but want to listen to “Help I’m Alive” by Metric. His restaurant is all about that: eating, drinking, smelling and feeling life. Not the industrial one that is being ruthlessly bred indoors or meticulously created in labs, but rather, that very precarious and sometimes imperfect life that is served up each day to every one of us.

To cut a delicious lunch short, we ate great products, expertly prepared by Massimo Ruggiero and drank delicious albeit sometimes funky and hard to pinpoint totally alive wines served by sweetheart David Benichou who mans the floor with calm and expertise.

However, contrary to some popular belief, Jancou‘s selection is by no means rigid: proof is, he serves Champagne! And unless I’m mistaken, the liqueur de tirage does involve adding industrial yeasts and sugar for the bubble effect (2 no-nos in the natural wine world). He does however boast a very researched and natural wine list that I consider as the top natural reference in Paris.

It’s true, EVERYONE is talking about natural wine this, no sulfites that, organically grown there, minimal interventionism here.

This en vogue topic is so hot and controversial and sparking constant debate. But the reality is this: natural wines are not so young anymore. They are growing up and are building families and are getting serious about being recognized.

Luckily, they have a seriously passionate and pretty damn fun group of aficionados, importers, restaurateurs and enthusiastic people who are making a big difference in daily wine consumption in restaurants, wine shops, bars and dining rooms around the world.

As a matter of fact, my constant and humble quest to better understand natural wine, will be leading me to Verona this weekend to meet a lot of these (mostly Italian) winemakers and taste what’s been cooking under their hoods this year.

The overwhelming feat of finding a hotel room in the vicinity of the city surpassed, I can now concentrate on two very exciting tastings that have the natural wine community buzzing: the gorgeous Villa Favorita Vinnatur tasting and Cerea ViniVeri Areaexp “The Factory”  gathering that will both take place less than 50km from Verona.

Details on my trip to follow!


if you dare